“Bollenvelden” - oil, 24”x 36”
  This is a picture of the Dutch bulb 
  fields.  This painting is the first in a 
  series of paintings done from photos 
  and other research from my trip in 
  2013 to the Netherlands and London in 
  the spring.  For anyone who has never been to the Netherlands 
  during bulb season, this is a small attempt at showing some bulb 
  growing fields behind a small pasture where sheep were grazing.  
  If only there were a “scratch and sniff” component where the 
  smell of the hyacinths (the pink and lavender flowers in the field 
  depicted here) could waft up at you as you viewed the painting.  The reds are early tulips and the 
  yellow and white are narcissus.  The sheep and lambs were there in late afternoon light frolicking and 
  eating grass - totally oblivious to the beauty which surrounds them.
 
 
  “The White Bridge” - 
  acrylic, 24” x 18”
  This is a more contemporary take on a fairly “standard” subject of 
  ducks in a pond.  The rhythmic, abstract design of the bridge’s 
  reflection in the water truly takes center stage here.  The ducks 
  who populate the scene (a Wood Duck drake on the foreground 
  rock and the Mallard hens on the water) obviously add to the 
  composition but as supporting players.  The star here is the black 
  and white pattern.
 
 
  “Taking a Dip” - oil, 27” x 15.5” 
  This painting depicts an American Dipper in its natural watery habitat.  The 
  waterfalls in the painting are actually some of the LeHardy Rapids in 
  Yellowstone where I have watched and enjoyed these birds bobbing and 
  “dipping” on numerous occasions.  The chance to paint the complex look of 
  water moving over rocks in a fast moving river was my real challenge in this 
  oil.  (Framed)
 
 
  “Petal Pushers” - acrylic, 12” x 16”
  The water is painted using layers of acrylic gels to create a “faux” 
  encaustic.  The Mallard couple was swimming in a pond at the world 
  famous Keukenhof Gardens in Holland.  These gardens are only 
  open for a few months every year to showcase bulbs of all types in 
  acres of gardens.  When I was there, cherry trees were at their peak 
  along with millions of bulbous plants, and the petals were strewn all 
  over the water, hence the genesis of “petal pushers”. The patterns of 
  the petals on the multi-hued water as the Mallards drifted along just 
  begged to be painted.
 
 
 
 
 
   
 
 
 
 
 
   
 
 
 
 
 
   
 
 
 
  Unframed
 
 
  “Gliding Thru Green” - oil, 13.5”x 18.5”
  What inspired me to paint this picture was the little Ruddy drake 
  floating on the surface of the green pond.  I think Ruddies have 
  interesting “personalities” and they are one of my favorite ducks, but it 
  was the chance to just play with a design simply presenting the classic 
  red/green complementary colors in an interesting way that really drew 
  me to paint this.  Believe it or not, this is a clear example of how 
  amazing and complex water and lightplay can be because this painting 
  is of the same pond as “The White Bridge” shown below, only from a 
  different angle and time of day.
 
 
  “No Stone Unturned” - acrylic, 7” x 14”
  Because Grizzly Bears are omnivorous (basically 
  opportunistic eaters enjoying meat, insects, fruit or 
  whatever is at hand), they spend some of their time 
  turning over rocks to get at the grubs and other 
  insects underneath.  This painting shows just such 
  behavior as a young Grizzly is turning over boulders 
  to get at whatever tasty morsels (merely appetizers 
  for such a large mammal) are hidden beneath.
 
 
  “In A Temple Garden” - oil, 32”x 18”
  While exploring the Byodo-In Temple on Oahu in Hawaii, I was struck by the 
  slowly gliding Black Swans and the frantic swirling motion of the Koi as they 
  shared the same area of pond space—one above and the other underneath.  
  The challenge was to present these divergent movement styles into a 
  cohesive, well-designed whole.  (Framed) 
 
  
 
  $5000.00
 
 
   
 
 
  
 
  $650.00
 
 
   
 
 
 
   
 
 
 
  
 
 
  
 
  “On the Move” - oil, 14” x 11” 
  This Gray Wolf is “moving out” as the low light of late afternoon beckons 
  her into action.  Late afternoon through evening and into the night are 
  when Wolves are the most active and this painting is reflecting the harsh 
  backlit lighting of that time of day.  The bright light creates staccato 
  patterns over a predominantly dark ground and suggests movement 
  over the surface while the Wolf “glides” silently below.  (Framed)
 
  
  
 
  $1000.00
 
 
   
 
 
 
  Giclée also
  available
 
 
  Giclée also
  available
 
 
  No Giclée
 
 
  The following gallery of pictures shows my original fine art pieces currently for sale.  Most of these are custom, done as privately 
  commissioned items, but occasionally new pieces are available for purchase.  Original paintings are done in oil or acrylic on linen 
  or board and usually involve wildlife or landscapes.  They vary in size and complexity, and are unframed unless noted otherwise.  
  Those framed are framed to museum quality standards, which is included in the cost.  Shipping and handling is included in the 
  price of all originals.  Feel free to contact me for a quote on any custom art for your home or business.
 
 
  “Success!” - oil, 13.5” x 17.5”
  The focal point of this painting is really the fallen dead lodgepole 
  pine with backlight illuminating the remaining clumps of needles 
  like spots of fire.  It is only after spotting the tree that one sees the 
  Coyote in the foreground.  The Coyote seemed a good choice to 
  bring a duller version of the needle colors to the foreground and 
  the Mourning Dove that it has in its mouth provides the painting its 
  title.  (Framed)
 
  
 
  “Barn Dance” - acrylic, 9” x 12”
  Poppies are one of my favorite flowers 
  and these Poppies with their almost 
  “stained glass” quality just begged to be 
  painted.  This piece was chosen as one of 
  the top 100 finalists in the Blossom II International Floral Art 
  Competition and Exhibition in 2011.  In creating this painting, I was 
  intrigued not only by the colors but the rhythm of “swirling skirts” 
  and “bobbing heads” which reminded me of a barn dance.   I 
  composed this painting to draw your eyes through the picture like 
  you were looking at the rising and falling notes on a piece of sheet 
  music.  (Framed)
 
 
  $900.00
 
 
   
 
 
 
  No Giclée
 
 
  $1200.00
 
 
   
 
 
 
  No Giclée
 
 
  “The Promise of Spring” - acrylic, 12” x 16”
  Once again, the Keukenhof ponds in Holland provided the 
  starting place for this painting where I wanted to present tulip 
  reflections in a new way for me.  I wanted to work with layers of 
  gels and other clear mediums to create interesting depth and 
  water effects in ways I had not before.  The cygnets (young 
  Swans) were the perfect “fluffy” foil to the water and its 
  reflections.
 
  
 
  $2000.00
 
 
   
 
 
 
   
 
 
  
 
  “Rounding the Bend” - oil, 20” x 16” 
  This painting is of Mallards in another of the many ponds at Keukenhof in 
  Holland.  The reflections of the 100-year old plus beech trees (some are 
  around 160 years old) and the myriad of tones and patterns they create 
  was my inspiration for this piece.  Bulbs cover areas all over this park - 
  even covering this small peninsula of land almost to the water’s edge.  
  The ever present Mallards and Swans cruise along unfazed by the 
  intense colors of blossoms and the visitors who populate the park 
  coming to view them.
 
  
  
 
  $1000.00
 
 
   
 
 
 
  No Giclée
 
 
  No Giclée
 
 
  No Giclée
 
 
  $1200.00
 
 
   
 
 
 
  No Giclée
 
  
 
  $1200.00
 
 
   
 
 
 
  $1200.00
 
 
   
 
 
  
  
  
 
  $1200.00
 
 
   
 
 
 
  No Giclée
 
 
  No Giclée
 
 
  No Giclée
 
 
  “Winter’s Embers” - acrylic, 13” x 20”
  In this piece, I was drawn to the beautiful play of light through 
  the backlit leaves.  It was early morning, and the sun from 
  behind almost made the dried oak leaves look as if they were 
  ablaze - like the embers of a fire.  The Blue Jay was a natural 
  addition to the composition because jays are still present here 
  in Colorado during that time of winter and he adds the blue 
  element also present in most fires and a counterpoint to all of 
  the orange at play.  (Framed)
 
 
  $1700.00
 
 
   
 
 
 
  No Giclée
 
  
  
  
 
 
 
   
 
 
 
 
 
   
 
 
 
 
 
   
 
 
 
   
 
 
 
 
   
 
 
 
 
 
   
 
 
 
 
 
   
 
 
 
 
 
   
 
 
 
 
 
   
 
 
 
 
 
   
 
 
  
 
   
 
 
   
 
 
   
 
 
   
 
 
   
 
 
   
 
 
  